It starts flat, then folds up 1-2-3, and snaps front and back to create an adorable cone-shaped mini purse for coins and more. Project design credit goes to Tendance Ruban for re-inventing this lovely vintage design; our thanks to sponsor, Renaissance Ribbons for bringing it to our attention. We reverse-engineered the original sample to provide you with easy, step-by-step instructions and a downloadable pattern. For this multi-layer project with its origami fold, it’s important everything stays flat. Our solution: the ribbons are stitched to the plain side of a layer of fusible interfacing. When the front and back are assembled and pressed, it activates the fusing and creates a tight, smooth bond. Stability is increased and layers are decreased.
Our thanks to our creative friends at Renaissance Ribbons for sponsoring today’s project and providing such exquisite embellishment inspiration for us all. When we’re working with the eye-popping options within the Renaissance Ribbons collections, the hardest part is narrowing our choices – we want to pick them all!
We finally settled on three samples, using ribbon pairings from Amy Butler, Sue Spargo and Tula Pink. There are so many other possible combos to build your own unique look. Check out the What’s New section at the Renaissance Ribbons online store for the latest beauties.
You can find the ribbons we used at fine in-store and online retailers everywhere, or shop directly from the Renaissance Ribbons online store.
For today’s project, we used invisible thread for all our ribbon stitching. This is not mandatory, but is a nicer look against the ribbon. For best results, you may need to loosen your upper tension slightly. It’s also a good idea to lengthen your stitch and sew at a slow and even pace. This type of thread does not stretch as well as regular thread and can break more easily under pressure, especially if it accidentally slides off the spool and wraps around the spool pin. Using a spool cap against the spool helps hold it in place on the pin, and again, going slowly and evenly helps the thread to feed correctly off the spool. Finally, always sew in the same direction along both sides of the ribbon. This will help prevent any shifting and puckering. If you’d prefer not to use invisible thread, make sure your all-purpose thread colors very closely match your ribbon, then take the time to re-thread as often as needed to maintain a perfect match.
You’ll notice we used pins to hold our ribbons in place. Another option would be to apply a little basting glue or strips of lightweight fusible web, such as Steam-a-Seam, to the wrong side of the ribbon. Read and follow the manufacturer’s instructions and test to make sure the ribbon can be easily stitched without the adhesive gumming up the needle. Some adhesives are not meant to be sewn through.
When folded, each coin purse forms an approximate 5″ equilateral triangle.
Sewing Tools You Need
- Any Sewing Machine (we recommend the Janome Memory Craft 9900)
- Satin Stitch foot (optional – but helpful for ribbon stitching; it’s what we used)
- Clear View Quilting Foot and Guide Set (optional – another choice to keep your ribbon stitching precise)
Fabric and Other Supplies
Amounts shown below are for ONE coin purse.
We used TWO beautiful jacquard ribbons for each coin purse. Our combinations are shown below. As mentioned, the mixing and matching potential is huge from within Renaissance Ribbons’ amazing selection. The final amount required will depend on the width of the ribbon you select and if you stay with just two ribbons or increase the mix. We recommend starting with a full yard to insure the best look.
TULA PINK “MIDNIGHT” COMBINATION
SUE SPARGO “GRAY” COMBINATION
AMY BUTLER “BELLE” COMBINATION
- Scrap, ¼ yard or a Fat Quarter of a coordinating 44″+ wide quilting weight cotton for the lining; we used the following Fat Quarters:
Tula Pink “Midnight” Combination: Medallion in Blue from the Anna Maria Horner True Colors collection for Free Spirit Fabrics
Sue Spargo “Gray” Combination: Flower in Gray from the Jenean Morrison True Colors collection for Free Spirit Fabrics
Amy Butler “Belle” Combination: Crescent Bloom in Pink from the Anna Maria Horner True Colors collection for Free Spirit Fabrics
- Scrap or ¼ yard of 20″ + medium weight fusible interfacing; we used Pellon 809 Décor Bond®
- TWO size 16 snap fasteners; we used pearl head snaps
- ONE snap setting tool; we used the SnapSetter from Snap Source
- All purpose thread to match both fabric and ribbons and/or Invisible Thread in Clear
- See-through ruler
- Fabric pen or pencil
- Iron and ironing board
- Scissors or rotary cutter and mat
- Seam gauge
- Seam ripper
- Straight pins
- Download and print out the Coin Purse Pattern.
IMPORTANT: The pattern is ONE 8½” x 11″ sheet. You must print the PDF file at 100%. DO NOT SCALE to fit the page. There is a guide rule on the page so you can confirm your final printout is to scale.
- Cut out the pattern along the solid line.
- Using the pattern, cut ONE from the fusible interfacing.
- Using the pattern, cut ONE from the lining fabric.
- Keep each ribbon as a full length; you will fussy cut it to best fit as shown below.
At Your Sewing Machine & Ironing Board
NOTE: All our cuts and steps are determined based on our selected ribbons. If you choose ribbons of different widths, you may need to adjust your measurements.
Create the exterior ribbon panel
- Place pattern right side up on your work surface.
- Place the interfacing piece on top of the pattern, non-fusible side up, aligning all sides.
- Using a fabric pen or pencil, trace the dashed line (the seam allowance line) onto the interfacing. This provides a guideline for ribbon placement.
- Find the first ribbon. Align the edge of the ribbon along the drawn guideline, which means the ribbon will sit at a slight angle. The top end of the ribbon should be place beyond the seam allowance by at least ¼” – it could go all the way to edge of the interfacing as it will be trimmed back later. Pin (or fuse) the ribbon in place, then trim away at the bottom end to fit.
- Butt the second ribbon up against the first and trim to fit as above.
- Repeat this alternating pattern across the interfacing, keeping the ribbons tight against one another.
NOTE: Depending on your ribbon widths, the final ribbon may extend over the opposite side’s seam allowance guideline. This is okay. Aligning with the seam line at the starting side insures your angle is true as you move across the pattern; the width at the opposite end then “takes up the slack” and can vary. As mentioned above, the ribbon is trimmed after the final seam for the smoothest finish.
- Thread the machine with invisible thread in the top and invisible thread or standard bobbin thread in the bobbin or carefully select all-purpose thread to match each ribbon, re-threading as necessary as you move from ribbon to ribbon.
- Edgestitch in place along both sides of each ribbon.
- Carefully work your way across, edgestitching each ribbon. Remember, you can use pins to secure the ribbons or a fusible seam tape.
Sew front to back
- When all the ribbons are secured, find the lining. Place the two right sides together.|
- Re-thread the machine with regular thread in the top and bobbin. Using a ½” seam allowance, stitch front to back, leaving an approximate 3″ opening along one long side. Remember to go slowly around the corners to maintain an even curve and to lock your seam at either side of the opening.
- Trim back the ribbon side of the seam allowance to ¼” all around except at the opening. Leave the seam allowance at the opening the full ½”.
- This allows the ribbons to turn under completely to mask the opening.
- At the corners, trim back the fabric side of the seam allowance and clip to ease the seam.
NOTE: For more about working with curves, see our full, step-by-step tutorial: Sewing Successful Curves.
- Turn right side out through the opening. Gently push out and round the corners; a long, blunt tool, like a chopstick or knitting needle works well.
- Press flat, pressing in the seam allowance at the opening so it is flush with the sewn seam. This pressing activates the fusing on the interfacing, adhering front to back with a smooth, tight bond.
- Re-thread the machine with clear thread in the top (or thread to best match the ribbon) and thread to best match the lining in the bobbin.
- Edgestitch all the way around the perimeter, adding an edge detail and closing the opening used for turning.
- Fold up the piece. First starting with a halfway fold.
- Then wrap all the way into a triangle. It is an even fold, but there are guidelines on the pattern piece to help if need be.
- With the piece folded, and using the corner snap mark from the pattern as a guide, double-check the position for the corner point snap.
- Once confirmed, unfold and set the top of the snap at the first point. Insert the top of the snap from the front by setting the snap top into the bottom half of the tool and pushing the prongs through to the back.
- Place the back of the snap top into place.
- Cover with the top half of the tool and hammer in place.
- The top of the snap is set.
NOTE: Although it features a slightly different tool, we do have a full step-by-step tutorial on inserting snaps. The process is slightly different than shown here, but the theory and the snap parts themselves are similar. If you are brand new to inserting snaps, you may find it helpful.
- Re-fold the piece all the way into its finished triangle shape again to confirm the position for the bottom of the snap. Mark the position with a fabric pen or pencil.
- Unfold the piece and insert the bottom of the snap at the marked point, following the same method as above.
- Repeat to insert the second snap at the opposite corner point.
NOTE: We opted for this set-then-mark process rather than showing the bottom snap positions on the pattern because you want the wrap to be as tight as possible when fully folded into a triangle. This wrap can vary based on the thickness of the ribbons as well as the lining fabric; it’s better to confirm with your exact layers than to guess. You can see our final positioning in the photo below.
Project Design: Tendance Ruban
Project Re-engineer: Alicia Thommas
Sample Creation: Debbie Guild