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Hanging, 14-Pocket Wall Caddy for Sewing & More

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There are so many great little tools for sewing. But you can't take advantage of them if you can't find them! Our sewing spaces can quickly start to look the famous kitchen "junk drawer" – a jumbled mess of stuff. How many times have you bought new supplies because you've misplaced the originals? I know I have! We've created a handy wall caddy with fourteen pockets to keep all your favorite notions organized and handy. 

The smaller eight pockets across the top are clear vinyl so you can see their contents at a glance. We bound the top of these strips to protect your fingers; you can reach in without snagging that sharp edge you get with cut vinyl. 

The six bottom pockets are fabric, each with a generous pleated bottom so they expand to hold plenty. We used a beautiful linen blend, but any décor weight fabric in your stash could work. 

The sturdy base of the caddy is formed by two layers of tough canvas with interfacing in between. You can fill each pocket to the brim with confidence.

Simple loops slip over a dowel. Attach a pair of eyelet screws and a strong cord, and you can hang your caddy right by your machine for easy access.

We show the caddy as a sewing room solution, but you can use it anywhere! Organize tiny toys in the kids' rooms, store arts and craft supplies, keep jewelry or lingerie sorted. A place for everything, and everything in its place. 

You will be sewing across vinyl at several point during this project. If you are new to working with vinyl, take a look at our tutorial for helpful tips and tricks: Successful Sewing With Laminated Cottons (And Other Sticky Stuff).

Our hanging caddy finishes at approximately 18" wide x 28" high.

Sewing Tools You Need

Fabric and Other Supplies

  • 1 yard of 44"+ wide medium-heavyweight cotton canvas or similar for the caddy base; we used 7 oz Duck/Canvas Cloth in Natural from Fabric Depot
  • ¾ yard of 44" + décor weight fabric for the bottom pockets, pocking binding, and hanging straps; we used a cut from our scrap stash: linen blend Acetex Cameron Wedgewood
  • ¼ yard of 20"+ wide 4-6 gauge craft vinyl
  • 1¼ yards of 45"+ wide medium to firm-weight fusible interfacing; we used Pellon Décor Bond
    NOTE: Our chosen linen blend fabric was somewhat soft, and so we opted for the firm Décor Bond for both the base panel and the pockets. If your pocket fabric is more substantial and with less drape, you may want a lighter-weight interfacing. To give the pockets the shape and stability needed to hold a variety of notions and/or tools, we do recommend at least some interfacing. 
  • ¾ yard of ¼" twisted cord or similar for hanging; we used a matching natural cord, purchased locally
  • TWO small eyelet screws; large enough to accommodate your cording
  • ONE ¾" - 1" x 18" dowel
  • All purpose thread to match fabrics
  • Heavy thread to match fabrics; we used Coats Dual Duty Heavy in Natural
  • See-through ruler
  • Fabric pen or pencil
  • Seam gauge
  • Seam ripper
  • Scissors or rotary cutter and mat
  • Iron and ironing board
  • Pressing cloth
  • Straight pins
  • Seam Sealant; optional for ends of hanging cord

Getting Started

  1. From the fabric for the caddy base, cut TWO 29" high x 19" wide rectangles.
  2. From the fabric for the bottom pockets, pocket binding and hanging straps, cut the following:
    TWO 12" high x 25" wide rectangles for the pockets
    TWO 1½" x 25" strips for the bottom pocket binding
    TWO 1½" x 19" strips for the vinyl pocket binding
    ONE 3" x 24" strip for the hanging tabs, sub cut this strip into THREE 3" x 8" strips.
    NOTE: Because our motif was a strong vertical, we cut our strip 24" high x 3"; your cut may vary based on your fabric. 
  3. From the vinyl, cut TWO 4" high x 19" wide rectangles.
  4. From the interfacing, cut the following:
    ONE 28" high x 18" wide rectangle
    TWO 6" high x 25" wide rectangles

At Your Sewing Machine & Ironing Board

Create the bottom fabric pockets

  1. Find the two fabric pocket rectangles and the 6" x 25" interfacing rectangles.
  2. Fold one pocket rectangle in half lengthwise, wrong sides together, so it now measures 6" high x 25" wide. Press along the fold line, creating a sharp crease.
    NOTE: If you're using a directional print, pay attention to which way is up; the fold line will become the
    bottom edge of the pocket. 
  3. Unfold the pocket and place it wrong side up on your ironing board. Place a 6" x 25" rectangle of fusible interfacing on the wrong side of the fabric, aligning one 25" edge of the interfacing with the visible crease. The side and bottom edges of the interfacing will align with the raw edges of the fabric. Following manufacturer's instructions, fuse in place. 
  4. Re-fold the pocket wrong sides together and press again.
  5. Find the two 1½" x 25" pocket binding strips. 
  6. Fold one strip in half lengthwise, wrong sides together, so it is now ¾" x 25". Press well to set a crease.
  7. Un-fold wrong side up. Press back one 25" raw edge ¼".
  8. Find one folded pocket. Place the pocket on your work surface, non-interfaced side up. This side is considered the back of the pocket panel. 
  9. Align the raw edge of the binding strip with the top raw edges of the pocket panel, right sides together. Pin in place across the width of the pocket. 
  10. Using a ¼" seam allowance, stitch across the width of the pocket through all the layers. We used our Janome Quarter Inch Seam foot.
  11. Bring the folded edge of the binding strip up and over to the front of the pocket panel. The original crease line should sit along the top of the pocket. Pin the folded pocket edge against the front of the pocket panel. 
  12. Re-thread the machine with heavy thread in the top and bobbin. Increase the stitch length. 
  13. Edgestitch along the binding strip across the width of the pocket, through all the layers. 
  14. Repeat to create the second fabric pocket. 
  15. Find the vinyl pieces and the shorter 1½" binding strips. Repeat the binding steps above to bind one 19" edge of each vinyl rectangle.
  16. Although you are stitching along fabric at the step, not directly across the vinyl, you may still find it helpful to use a Walking foot or Teflon® type foot, such as the Janome UltraGlide foot

Pleating the fabric pockets

  1. The two bottom fabric pocket panels will each be divided into three pleated pockets.
  2. Along the bottom fold line of one pocket panel, measure and mark ½" in from the right raw edge of the panel. Use a pin or a fabric pen/pencil to mark this spot. 
    NOTE: We used pins throughout for our marking. If you choose to use a marking pen/pencil, remember you are working on the right side of the fabric. Make sure the marking tool is one that will easily wipe away or vanish with exposure to the air. 
  3. Measure 3" to the left of the first mark and make a second mark. 
  4. From the second mark, measure 1" to the left and mark. From this third marking point, measure another 1" to the left and mark again. This set of three, close-together pins/marks denote the first pleat for the right pocket. 
  5. From the left-most pin, measure 3" to the left and create a full vertical marking line – either with pins or a fabric pen/pencil. This full vertical guide line is the first of the two pocket divisions. 
  6. From this full full vertical line, start over, measuring 3" to the left, then another 1", another 1", and another 3". 
  7. Repeat one final time to create the marks for the third pocket pleat. As on the right side, you will end up with an additional ½" at the far left edge for a seam allowance. 
  8. The drawing below shows the full pleating diagram.
  9. Make a pleat at each set of three marks. To do this, pinch the fabric together at the outside marks (you are pinching together ½" on each side) and bring the folds together to meet at the center mark. 
  10. Pin each pleat in place.
  11. To give each pocket extra strength and structure, stitch each side of the pleat in place, running 2" vertical seams up from the bottom folded edge of the pocket.
  12. The machine should still be threaded with the heavy thread in the top and bobbin, and the stitch length shoudl still be longer than standard. 
  13. Repeat to create matching marks and pleats on the second pocket panel. 

Attach pockets to base

  1. Find one of the large base panels and the large piece of interfacing. Center the interfacing against the wrong side of the fabric panel. There should be ½" of fabric extending beyond the interfacing on all four sides. Following manufacturer's instructions, fuse the interfacing in place.
  2. Place the interfaced panel right side up and flat on your work surface. Find one of the pleated pocket panels. 
  3. Place the pocket panel right side up on the base panel. The bottom edge of the pocket panel should be 1½" up from and parallel to the bottom raw edge of the base panel. Pin along both sides and across the bottom. Place additional pins through all layers along each of the two pocket division guide lines.
  4. Still using the heavy thread, increase the stitch length to maximum for a basting stitch. Machine baste the bottom of the pocket panel in place. 
  5. Re-set the stitch length to longer than standard but not as long as for basting (the same lengthed setting as you used above). 
  6. Stitch each pocket division from the top of the binding to the bottom folded edge. If possible, use a lock stitch to secure your seam. This will give the neatest look. If not possible, very carefully back-tack or leave the thread tails long and knot to secure. 
  7. Place the second pocket panel 2" above the top of the first pocket panel and parallel with it. Stitch it to the base panel in the same method as above: first, machine base the bottom, then stitch the two vertical pocket divisions (remember to change your stitch length between the bottom basting and the pocket division seams).
  8. Press both pockets, pressing the pleats flat. 
  9. Find the two bound vinyl pocket panels. 
  10. Place the first vinyl pocket panel 2" above the top of the second fabric pocket panel and parallel with it. Lightly pin in place.
  11. Measure to find the exact center of the panel and mark with a pin or pen/pencil. 
  12. Measure 4½" to the left of center and mark, then measure 4½" to the right of center and mark. 
  13. These three marked points are the panel's three pocket divisions. Draw in a full vertical guide line at each point or mark with additional pins.
  14. Switch to a Walking foot or Teflon® type foot if possible. Keep an increased stitch length as above (not basting length; just the increase over the standard default settings you've been using).
    NOTE: If neither of these feet are available to you, insert a strip of wax or parchment paper between your regular presser foot and the vinyl to prevent sticking. It can be torn away when done. For more information, check out our tutorial on sewing with laminates and other sticky stuff
  15. Stitch each of the three vertical pocket divisions from the bottom edge of the vinyl to the top of the binding. As with the fabric pockets, use a lock stitch if possible to secure your seam. Or, very carefully back-tack or leave the thread tails long and knot to secure.
  16. Edgestitch across the bottom edge from side to side.
  17. Place the second vinyl pocket panel 1½" above the top of the first vinyl pocket panel and parallel with it. Lightly pin in place. 
  18. Stitch in place exactly as you did with the first vinyl panel, being especially careful to make sure the pocket divisions are in line with one another.

Hanging tabs

  1. Find the three 3" x 8" strips. 
  2. Fold each strip in half so it is now 1½" x 8". Pin in place.
  3. Using a ¼" seam allowance, stitch each long side. The ends remain raw.
  4. Press open the seam allowance.
  5. Turn each strip right side out. Roll the seams to the center back and press each strip flat.
  6. Fold each strip in half, aligning the raw ends. 
  7. Place the tabs along the top of the front base panel, aligning the raw ends of the tabs with the top raw edge of the base panel. One tab should be in the exact center of the panel. The two other tabs should each sit 1½" in from an outside side edge. Pin in place.

Finish front to back

  1. Find the remaining non-interfaced base panel. Place it right sides together with the completed front panel, sandwiching all the pockets and the hanging tabs between the layers. 
  2. Pin around all four sides, leaving a 7" - 8" opening along the bottom for turning. 
  3. Using a ½" seam allowance, stitch around all four sides. Remember to pivot at all the corners and lock your seam at either side of the bottom opening. We used our Walking foot.
  4. Press open the seam allowance all around and clip the corners.
  5. Carefully turn the panel right side out through the bottom opening. 
  6. Smooth flat and press well, using a pressing cloth to protect the vinyl pocket. Press in the raw edges of the opening so they are flush with the sewn seam. Use a long, blunt-end tool, such as a knitting needle to chopstick, to gently push out all the corners so they are nice and square.
  7. Using a ¼ seam allowance and the same lengthened stitch as throughout the rest of the project, topstitch around the entire panel, pivoting at all the corners. This keeps the layers flat and closes the opening left for turning. We continued to use the heavy thread.
  8. We used our Quarter Inch Seam foot to keep this seam precise. You could also use a Walking foot as you will be running up and over some thick areas along the edges of the pockets. Our Janome machine powered right over, but you may want to slow down and/or hand-walk over these bulky sections.
  9. Remove the machine basting from the bottom edge of the two fabric pockets. 
  10. Edgestitch along the bottom edge of each pocket panel through all the layers, including the back panel. 


  1. Cut the dowel to 18".
  2. Measure 4½" in from each end and set a small eyelet screw in place.
  3. Slip the caddy onto the dowel. 
  4. Find the length of twisted cord. The exact length of the cord will be determined by where you are hanging your caddy. We used approximately 24". 
  5. Double knot one end of the cord through each of the eyelet screws. 
  6. Finish the end of the cording with tape or a seam sealant to prevent fraying. 


Project Design: Alicia Thommas
Sample Creation and Instructional Outline: Debbie Guild


Comments (4)

Susan Egan said:
Susan Egan's picture

Hi, I'm having trouble sourcing 7oz duck canvas in the UK; would 10 or 11oz be too heavy? Or is there a suitable alternative fabric that would be suitable?

I have to say that I am so impressed by your website and have had so much inspiration from it. Thank you.

Liz Johnson.Editor.Sew4Home said:
Liz Johnson.Editor.Sew4Home's picture

@ Susan Egan - thank you for such a kind comment! On the heavier canvas, I think you might have some issures with some of the thicker areas of the construction with such a heavy weight (it kind of depends on a combination of your machine, your presser foot options, and your skill level). Is it prohibitive for you to order online? Both and Fabric Depot do ship internationally. has a particularly good selection of colors in the 7 oz:

Susan Egan said:
Susan Egan's picture

Than you for your response. I've looked at website; sometimes the shipping costs from the US look a bit scary! I'll see if I can find some other hard to source items and make the cost worthwhile.

Mary H. said:
Mary H.'s picture

This is exactly what I need to make now that I've rearranged my sewing room.  Thank you!